My practice is rooted in a lifelong curiosity about image-making and the stories images can hold. After studying photography, fine art, conceptual art, historical techniques, film, and literature at the University of British Columbia, I collaborated in workshops exploring drawing, etching, watercolour, performance art, and analogue photography. Those early collaborations taught me to value process as a visual conversation between material, method, and idea.
My work bridges experimental digital imagery, drawing, and painting. I combine contemporary image manipulation with tactile, archival techniques to probe memory, surface, and the slow transformations of material. Whether developing a book structure, outlining a video sequence, laying down a watercolour wash, or manipulating pixels, I begin by testing limits and seeing what emerges beyond convention.
Teaching, editing, and residencies in places such as the Wallace Stegner House, Tital Art Centre, and the Barcelona Experimental Photography Festival continue to shape an international, process-driven dialogue in my work.